By now you’ve probably watched “A Christmas Story” on television, and not for the first time. Or the second, or third … It’s a Christmas classic most of us have watched more times than we remember.
The movie, for whose who have been living in a cave or for some other reason haven’t seen it, tells the story of nine-year-old Ralphie Parker and his dream of getting a Red Ryder BB gun for Christmas.
Filmed partially in Canada, the movie won two Canadian Genie Awards and airs annually for 24 hours, from Christmas Eve to Christmas night. The Library of Congress honored as being “culturally, historically or aesthetically significant.”
The feel-good ending alone is a classic. After hearing repeated objections from grownups convinced that BB guns are dangerous, Ralphie wakes up on Christmas morning to find the gift of his dreams, a present from his father. The movie ends with him as a grownup, remembering “the best gift I ever received, or ever would receive.”
Have you received such a gift? If so, I’d love to hear about it.
Mine came on the Christmas when I was 17. I had dreams of playing in a rock group and already had a guitar, if you want to call it that.
It was a black Silvertone, purchased at a pawn shop for $50. I paid half; my sister paid the other half. Even at $50, it was probably overpriced. It wasn’t exactly ugly, but it was far from being beautiful. It didn’t play particularly well or sound particularly good. It was what it was. A cheap, used guitar.
Like my friends who also wanted to be in a rock band, I was a huge fan of the Ventures, an instrumental group from Tacoma credited with being the band that influenced more rock guitarists than any other. I spent hours mooning over a picture of them on one of their early album covers.
Bob Bogle, then their lead guitar player, was playing a Fender Jazzmaster guitar in the photo. With its beautiful sunburst finish, two big, white pickups and mottled, tortoise-shell pickguard, I thought it was one of the most beautiful things I’d ever seen. It was to my Silvertone what a Rolls Royce is to Yugo. I had to have one.
The price, however, was a bit of a problem. A new Jazzmaster in those days sold for $402. Today, used ones sell for many thousands, but $400 then was a fortune for a kid who was making a buck an hour on the end of a shovel for a company that installed lawn sprinkling systems. It would take forever to save that much money. I might as well have been saving for a Rolls Royce.
I saved for well over a year, keeping the cash in a special box. It was a small, wooden box with a hinged, wooden lid on which I’d laboriously carved “Jazzmaster $.” That box is still in my dresser drawer these many years later. The lid is broken in half so it’s not much good for storing anything, but it has too much sentimental value to throw it away.
With the Christmas season of my junior year in high school approaching, even after saving those hard-earned dollars for all that time, I was still roughly $150 short of the $402 need to secure the dream.
Hints to my sister that it would be greatly appreciated if she helped out fell on deaf ears. She’d already helped with the Silvertone, and it was an understatement to say that rock and roll wasn’t her thing. She was ten years older than me and a Rodgers and Hammerstein fan. (Think “Edelweiss,” “My Favorite Things,” “Some Enchanted Evening,” etc.)
There weren’t many gifts for me under the tree that Christmas morning, and those that were were pretty ho-hum, mostly clothes. I was feeling a little down about it until my mother suddenly seemed to notice a red string lying on the floor amidst the shredded wrapping paper.
“Wonder what that string is,” she said to me. “Why don’t you follow it and see where it goes.”
With that a faint hope was kindled. Could it be?
No. No way my folks would have bought the Jazzmaster for me, even though I’d talked of little else for months. They were far from being wealthy, and money was tight enough that year that my mother had started a business, converting our dining room to a home office.
The string led from the living room, through the kitchen and office and down a hallway to my bedroom, ultimately disappearing under my bed.
It was than I knew that, against the odds, the seemingly impossible had happened. I reached under the bed, felt the distinctive Tolex covering of the case and slowly pulled it out into the light.
Knowing it was an experience that would be remembered for life, I waited a bit before opening it, savoring the moment. Then, when the latches were opened and the lid lifted, there it was – arguably the most beautiful thing I’d ever seen. It looked just like Bogle’s guitar on the cover of the Ventures album. It had a sweet, woody smell. Lying on the plush, red velvet lining of the case, reflecting the light from its gleaming finish, it was almost too perfect to touch.
Unknown to me, my folks had ordered it from the old Leon Burt Music Studios on Latah Street in Boise, making up the difference between the purchase price and the $250 I’d saved. They’d been hiding it at my sister’s house (she was married by then) for weeks.
That afternoon, I took it to the home of the bass player in the band we hoped to start, for the sole purpose of showing it off. Neither of us knew how to play well enough to show off. It was an important enough occasion that even the drummer came by to “ooh” and “aah.”
A couple of years later, actually playing in a band by then, I sold it to buy a Gretsch Country Gentleman guitar like the one played by George Harrison of the Beatles.
Many guitars and many Christmas gifts have come and gone since then, some of them costly and wonderful, but none are remembered as fondly or sentimentally as the Jazzmaster. With due respect for all of them, that guitar, like Ralphie’s BB gun, was the best gift I’d received, or ever would receive.
Tim Woodward’s column appears every other Sunday in The Idaho Press and is posted on woodwardblog.comthe following Mondays. Contact him at woodwardcolumn@gmail.com.
