Here’s to the late Miriam Barr, who died last month at 99, with almost half of her long life spent as a journalist. May she now be writing stories for the ages on a celestial typewriter reserved for her exclusive use. 

  I met her when she was just a kid in her late forties, working out of The Idaho Statesman’s Caldwell bureau office. I was the new kid on the block, hired just out of college to help with the paper’s Canyon County coverage. A co-worker confided that Miriam was a bit of a character, an assertion she wasted no time confirming.

  A woman with snow white hair and piercing eyes greeted me on my first day at the tiny bureau office.

  “Hello,” she said. “I’m Miriam. The file cabinets and the desk next to them are mine. The other desk is yours. The typewriter on that desk is  yours, too. Don’t ever touch the typewriter on my desk.”

  The last sentence was spoken with as much vehemence as if she’d been telling me not to rummage through her underwear drawer.

  My successor in the bureau learned just how possessive she was of that typewriter, a gleaming, black Underwood with a touch as soft as a baby’s cheek. He thought he’d have the office all to himself one afternoon when she walked in and caught him using her typewriter.

  “What did she do?” I asked him.

  “She picked it up and threw it across the office.”

  She was an old-school reporter who seldom strayed from her beat, but wasn’t afraid to take on those who offended her sense of propriety. The owner of pornographic book store learned that the hard way when she tracked him down in another state and grilled him mercilessly for an investigative story. 

  Barr was one of a legion of colorful characters once common in newsrooms. A few were famous for being colorful.

  The late Charles McCabe of the San Francisco Chronicle was said to have had a desk in the paper’s newsroom – where no one had seen him in years.

  One of his favored haunts for writing his columns – which could be about anything from the benefits of sleeping in to the difference between shower people and bath people – was a North Beach bar. If he didn’t finish a column by his fifth bottle of “the Green Death,” his name for Rainier Ale, he threw it away and started another one.

   Statesman Sportswriter Jim Poore was locally famous as a larger-than-life character. Tipping the scales at more than 300 pounds, he was forever meaning to lose weight but unable to resist temptation.

  “Hey, Woodward,” he would say. “Let’s get in that ugly little car of yours and go to the Fanci Freeze for a Boston Shake (a hot fudge sundae at the bottom of a milkshake).” When a waitress turned to leave after taking his order for a family sized combination pizza and a pitcher of Coke, his dinner companion memorably called after her, “Wait! I’d like something to eat, too.”

  Hanging from a wall in my home is a framed poster for the Jim Poore Invitational Golf Tournament, illustrated with a photo of a  pepperoni, olive and golf-ball pizza.

  Jim divided his mail into two piles, bills and everything else. The bills he consigned to a trash compactor.

  He didn’t file a tax return for several years year in a row, prompting an “invitation” to visit with IRS agents. He left them laughing – and the IRS owing him money. Impossible to refuse or dislike, he charmed a dour, tight-fisted editor into sending him and me to England to look for ghosts.

  And he wrote beautifully and almost effortlessly. 

  Al Shayt was an old-school Statesman copy editor. He wore a green eyeshade, had the unusual hobby of fashioning model airplanes out of soda and beer cans, and was a gambler extraordinaire.

  Returning from weekends in Jackpot, Nev., he elicited “oohs” and “aahs” from envious co-workers by pulling fat wads of hundred-dollars bills from his pockets. He had invented a winning system and even written a short book about it.

  We were shocked the weekend he returned with no Benjamins in his pockets.

  “They called me into the casino manager’s office the minute I walked in the door,” he explained. “He said they were not in the business of providing second incomes for their customers and that I was banned from setting foot in the place.”

  He most likely responded with his trademark expression:

  “Well, I’ll be a bruised peach.”

  A few weeks of becoming a persona non grata in Jackpot, he quit his job at the paper and moved.

  To Atlantic City, N.J.

  Features editor Betty Penson traveled the world on press junkets, staying in five-star hotels and dining with the likes of Ethiopian Emperor Haile Selassie. Like Barr, she was not a woman to be crossed, as I learned after a column of mine mentioned her with what she judged to be a lack of deference. Biting references to “young Woodward” appeared in her columns intermittently for the remainder of her career. 

  Copy editor Gordon Peterson wore a cowboy hat, shirt and boots – and occasionally chaps – to work. With his long white hair and beard, he could have passed for Wild Bill Hickok’s older brother. 

  He came by the look honestly, having previously worked as a cowboy and as an editor for the Tombstone Epitaph, the paper famed for its coverage of the 1881 Gunfight at the O.K. Corral. It was rumored that he kept a bottle of whiskey in one of his desk drawers. Having alcohol on the premises was strictly forbidden, but he was so good at his job that he was allowed to get away with it.  

  They don’t make newspaper characters like that any more, and in some ways that may be a good thing. Journalists today look and act more professional. 

  But they sure aren’t as colorful. 

Tim Woodward’s column appears every other Sunday in The Idaho Press and is posted on woodwardblog.com the following Mondays. Contact him at woodwardcolumn@gmail.com.

  A woman I know stops reading a book if she finds a typo. It doesn’t matter how much of it she’s read. She could be several hundred pages into a book she’s crazy about and a single typo stops her cold.

  She’d have made it as far as page 46 in my latest book.

  As you know if you read it or have seen The Idaho Press’s  advertisements for it, the book is a memoir. It’s about many of the things that comprise a life, but mainly it’s about growing up in a very different Boise of 35,000 people, playing in a rock band and my career as a reporter and columnist at The Idaho Statesman.

  With the first printing a few dozen books short of being sold out and the jury out on whether to do another printing I can write about it without  shamelessly promoting it. Who writes an article to promote a book that’s almost out of print? And it’s not really the book itself that’s today’s subject. Mostly I wanted to write about its typos – to explain to readers that it wasn’t cobbled together singlehandedly by a feebleminded geezer who couldn’t find his reading glasses and wouldn’t know a typo from a Bingo chip. 

  There is nothing, absolutely nothing, that is easier to miss than a typo in a book. Including the time spent writing it, I must have read the entire manuscript a dozen times or more, and parts of it more than that. Three other people read it, too, all of them smart, well-read individuals. I’d have sworn that there were’t any typos or other mistakes in the book, yet some horrifyingly obvious mistakes got by every one of us.

  One of the more embarrassing was a wrong last name, specifically the wrong last name of the late Jim Morrison, lead singer for the 1960s rock group the Doors. I’ve played some of Morrison’s songs, known about him forever, and for a reason that is a complete mystery to me wrote Morrissey instead Morrison.

  Morrissey? I’ve known plenty of people named Morrison, but to the best of my knowledge have never known a soul named Morrissey, or even heard the name before. What would possess me to write such a thing? It would be like writing John Lemmon or Paul McCartly.

  One of the proof readers who painstakingly reviewed the manuscript was a teenager in the 1960s, is well versed in the music of the era and was horrified to learn that she missed such a glaring error. 

  That made two of us.

  Some of the easiest typos to miss are words repeated that shouldn’t be. A textbook example is found at the bottom of the aforementioned page 46: 

  “It was far enough from the city proper that I’d fall asleep on the on the way home.”

  That, at least, is understandable. The eye goes right over those sorts of things.

  Less understandable, and arguably the most embarrassing mistake in the book, is a sentence about my late Aunt Nita and Uncle Edward. What makes it even more embarrassing is that it took a reader to bring it to my attention weeks after the book was released. Aunt Nita and Uncle Edward became Aunt Edward and Uncle Nita.

  Aunt Edward? Uncle Nita? How could any of us, let alone all four of us, have missed that?

  A mistake that jumped out the first time I held the book in my hands had to do with my mother’s name. A cutline accompanying her picture identifies her as Margaret Woodward.

  Her name was Marguerite Woodward.

  There are a lot of things I don’t know or may be a bit hazy on, but one thing I do know beyond any possible doubt is my mother’s name. There is no way on God’s Earth I would have called her Margaret.

  So how did it happen? A good question. I’ve been working with Jeanne Huff, my Idaho Press editor, long enough to know she wouldn’t have changed it, so my best guess is that it happened somewhere in the publishing process.

  It helps a little bit to know that no one escapes the typo curse and that some typos are laugh-out-loud funny.

  One of my favorites was in a cutline on the front page of a weekly newspaper in a small town in Washington State. The town was so small that when its only church got a new minister after months without one, it was big news. Pictured on the front page were the new minister, his wife and their three sons.

  Except that what should have been an “o” in “sons” was an “i.”

  Not even bestsellers from major publishers are immune. Amor Towles’s “The Lincoln Highway,”  for example. It was a No. 1 New York Times best seller, chosen  by Time, NPR, The Washington Post, Barack Obama and others as a Best Book of the Year.

  The porpoise notwithstanding.

  The porpoise makes its unlikely appearance on page 456 of “The Lincoln Highway.” It splashed onto the page where Towles intended to write “purpose.”

  The book was published by the venerable Viking Press, whose authors have included D.H. Lawrence, Sherwood Anderson, James Joyce, John Steinbeck and other great writers. It presumably has some pretty fair proof readers as well. 

  One of the most infamous typos, an omitted word, occurred in a reprint of the King James Bible. “Thou shalt not commit adultery” became “Thou shalt commit adultery.” It inspired the reprint’s enduring nickname, “The Wicked Bible.” 

  What could be responsible for such egregious errors finding their way past even the most conscientious proof readers?

  I think it’s the devil.

Tim Woodward’s column appears every other Sunday in The Idaho Press and is posted on woodwardblog.com the following Mondays. Contact him at woodwardcolumn@gmail.com.